A summer (and paintings) of fiery skies .
This summer might be the worst one yet for destructive forest fires.
I continue my Canadian Vignette series. I am counting these as done. So far, I have completed 10 little canvases of landscapes; however, these three will soon be painted over...
The process is more important than the end result
I was thinking of all the summer fires when I painted these scenes.
Late in July, there were fires burning very close to my hometown in northern Ontario. Had these three paintings turned out to my satisfaction, they would have been part of the Canadian Vignettes I am working on this year.
As it is, these canvases will be painted over as soon as this post is published. I am not happy with them, but I wanted to finish them because the process is where the learning takes place.
That’s the nice thing about acrylic paints. I can easily paint over any disaster, and I have done so many times in the past. The layers and textures only add to the interest. Sometimes, they might even "suggest" something I hadn't thought of initially. I love those discoveries.
What am I hoping to learn? I want to "interpret" a landscape rather than try to paint it literally. That interpretation skill is rather elusive so far. To be more specific, the sky and the water are too much one colour and I find these paintings rather blah, boring.
Convenience of acrylic and mediums
Should the paint become too thick on the canvas, texture or crackle paste will be added and I will experiment with various tools. Or perhaps adding elements of collage will make an appearance in the next iteration. So many possibilities!
It is very satisfying to rescue a painting and bring it back from the brink. Why not do that instead you ask? I might still paint over sections and continue the experimentation. At this point in time, I feel like moving on...
So with the gesso bottle close at hand, these three will get a new life.
How do you “save” a canvas or painting? Share your thoughts below in the Leave a reply box.